But it was St.Clair's guidance on center stage that made the event the most educational for the orchestrally uneducated. He showed his instrumental (pun intended) role on what a conductor really does. Time and time again, I see that role being a big mystery to most.
"He just waves his stick around!" the disbelievers proclaim to me. "Does it matter what he's doing?"
"The orchestra isn't even looking at him," still others scoff. "He's just putting on a show."
In response I attempt to clarify that a conductor more than just waves a baton (the formal name for that stick of his). And, as St.Clair demonstrated at "OC Can You Play With Us?", the conductor often shines most brightly in rehearsal.
St.Clair enthusiastically led the large ensemble and focused on the same basics of music he does for the pros: dynamics, articulation styles, note lengths, instrumental balance, phrasing.
With a live mic attached to him, St.Clair's grunts to the music's beat — not an all-too-uncommon, seemingly animalistic response conductors have when conducting — could be heard.
He told the timpani not to play exactly to his beat, else he be behind it. He told the strings to "disappear" their notes as they decrescendo. He implored the brass to settle down, to balance better, to make the Great Gate of Kiev greater.
"I'm an old cowhand," St.Clair said, alluding to his small-town Texas upbringing. "But I'm also an old brass player."
That little snippet was just one of many he used to relate to his players, to get them in synch with the sound's whole and excited about the music.
Like any good leader, the conductor sets the tone and the mood, bringing together the disparate elements to make them one. Come showtime, hopefully that effort leads to a successful performance.
But calling a conductor some glorified stick-waver? Blasphemous!