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Silence is golden to these authors

January 23, 2010|By Jana Colver

In an age where we have become immune to noise pollution and environmental destruction, noise is often considered an accepted and relished norm. Silence, as a result, can seem strange and abnormal. In the midst of increased noise, silence is a state we often turn our backs on. Authors who have recognized this cultural condition have written about the topic in the following books:

“Listening Below the Noise: A Meditation on the Practice of Silence” by Anne D. LeClaire: In practicing silence, author Anne Le Claire learned to listen to her deepest self. In the midst of her hectic family life, she decides to practice a day of silence the first and third Monday of every month. Her reflections reveal how freedom from distraction and silence can foster self-awareness, a deeper connection with others and with nature.

“Slicing the Silence: Voyaging to Antarctica” by Tom Griffiths: Australian environmental historian Griffiths recounts his exploration, research and management to the southernmost continent. He nimbly integrates his diary entries and essays in an effort to evoke the meditative element of his voyage. “To voyage to Antarctica is to go beyond the boundary of one’s biology toward a frightening and simplifying purity,” he writes. “It is a land of enveloping silence … To survive, you need food, you need warmth, and you need stories.”

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“One Square Inch of Silence: One Man’s Search for Natural Science in a Noisy World” by Gordon Hempton: Hempton, an Emmy-winning acoustic geologist, claims that natural silence is our nation’s fastest disappearing resource. He has made it his mission to preserve silence in all its variety and recalls the great works on nature written by John Muir, John McPhee and Peter Matthiessen. An American story, Hempton recalls his road trip across the continent armed with recording equipment to document the natural and disappearing voices of nature.

“Silence Fell” by Josephine Dickinson: This is a book of gentle poems about love and rural life in the remote village of Alston, England. Dickinson was rendered deaf at the age of 6, but nonetheless received an education at Oxford and then became a composer and music teacher before moving to Alston. It was there that she met her husband, a man twice her age, who was a sheep farmer and the landscape, life and her relationship that inspired her tender poetry.

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