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More manly mysteries — or, new noir

December 09, 2007|By Mary Ellen Bowman

The stories of Raymond Chandler, Mickey Spillane, Dashiell Hammett et al conjure the image of the hard-boiled detective, the lone wolf at odds with the world around him struggling to find answers amid confusing clues in dark, seedy back streets and forgotten wrecks of human beings whose lives are strewn with betrayal, lies and depression.

Phew; that’ll ruin your day.

And yet readers clamor for more testosterone-filled, bloody, conflict-driven tales that defy the newspaper headline adage “truth is stranger than fiction.”

Meet the new noir. The lives are more hopeless, the drugs harder, the women colder and the world more unfeeling and hostile than ever.

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No cozy murders here, no cats, no recipe-laden, little old ladies in cardigans revealing the killer over knitting needles and tea cups. This is hard-core, baby. Take it or leave it.

Meet manly men composed of muscle and brawn, sassy, brassy dames and duplicitous extras. (Psst — ladies like these titles, too.)

“Girls” by Bill James: Drug trafficking, violence, crime empires, everything’s OK in merry olde England until foreigners move in with their latest nefarious, illegal exploitation ploy. Hint: It’s the title of the book. Gang warfare ensues, territory is threatened. Who’s up to the challenge? James has a string of Harpur and Iles mysteries in the series to tempt the complacent. Cheerio!

“The Redbreast” by Jo Nesbo: Can a World War II killing committed in 1944 resonate in modern-day Scandinavia? Travel to Norway and join detective Harry Hole in unraveling an assassination plot five decades in the making. The action revolves around the question: When does acting on one’s beliefs turn into collaboration with the enemy?

“The Savage Garden” by Mark Mills: College teachers and students, horticulture, gardens, Machiavelli? Can Cambridge-educated eggheads like Adam Bunting be hard-boiled, or just scrambled? Brush up on the classics in this weed-choked, vine and crime-entangled jardinière of hot-bedded plots.

“The Lisbon Crossing: A Novel” by Tom Gabbay: The spy genre has always made for thrilling noir. Relive 1940s Portugal “everyday life” during World War II with Jack Teller as he searches for a childhood friend of a friend. What is the definition of “noncombatant” during war when one’s world is on the brink of destruction?

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