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In The Wings

JENNIFER MAHAL --

December 23, 2000

Don't let the name fool you. Artist Mia Tavonatti's moniker is not

like Mia Farrow's. Rather, it is pronounced "Maya."

There is nothing ordinary about this Newport Beach artist or her work.

Need proof? Just take a walk by Newport Elementary School on Balboa

Island and look at the mosaic murals Mia and her younger sister, Tara,

installed there last month.

Not interesting enough? Go to Mia's studio just down the road and take

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time to study her paintings.

"My more personal works tend to involve places I travel to," said Mia,

36.

On the back wall hangs a temple-shaped piece with Greek silver prayer

tokens hanging on it. At the top is a mother and child, reminiscent of

the Madonna. The models were a gypsy woman and her child, whom Mia

photographed during one of her trips to Greece.

The piece is titled "Token Prayer."

"That's my roadside shrine," she said.

Another work, called "Balance," shows a Balinese exorcism ritual

involving the monkey god and a battle between good and evil.

"I've always liked the intimacy of intertwining figures," said Mia,

who is a professor at the Art Institute of Laguna.

Art was part of Mia's world from childhood on. Her father taught art

and, with her mother, ran an art supply store in Northern Michigan.

One would think that would make it easier for Mia, the third of four

children, to follow art as a profession, but that was not the case.

"I remember when I was a freshman, my counselor told me, 'Take French,

don't take art. It will be better for you in the long run."'

She didn't listen. As a sophomore she started taking art classes and

soon was taking art as an independent study course because she was so

advanced.

It had its price.

"I figured out soon that being the best artist in the school was a way

to keep alone," Mia said.

She also excelled at math, breaking the artist stereotype by taking

advanced math classes. Mia planned to go to school for architecture.

"I knew nothing about the professional fields of art," she said.

Though she started as an architecture major at Michigan Technological

University, she became addicted to painting. After two quarters of cold

weather, Mia decided to apply to the best art schools in sunny

California. She was accepted at the Academy of Arts in San Francisco.

She never went. Upon moving to the Bay area, Mia took a job drafting

for a company called PM California. Making good money, she decided not to

leave the job for school. A year and half later, she moved to Southern

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